charlie: right -- sally: right. charlie: i gave them editorial control. sally: editorial discernment. that is the concern some people had. how could they know? they were visually sophisticated kids, and they knew what we were doing. we talked about the pictures. charlie: what was the conversation? sally: do you like this? what do you think this picture says? does this picture say something about you you are not comfortable with? charlie: what did your husband larry say? sally: the same. charlie: this is a close family. this is what these photographs have told us. this is a family with no secrets between them. sally: i would imagine there are a few secrets, but we are close family, especially now. charlie: they understoodcharlie: . sally: they appreciated. i think they understood it. that's the argument i made. i'm sure child psychologist will take issue with cap. charlie: after "immediate family," sally moved on. she has been exporting themes of place come history, and mortality. i asked her where she finds her inspiration. sally: the way it works for me,

charlie: thank you for coming. mirren: thank you, charlie. brilliant. ♪ announcer: the following is a paid advertisement for time life's video collection. carol burnett: hello, i'm carol burnett. and i am here at cbs in los angeles, at studio 33. come on in. ♪ announcer: from television city in hollywood, it's the carol burnett show. carol burnett: this is the stage where it all began.

charlie: why not? guest: i'm not that old. charlie: they're not that old. charlie: do you feel better? guest: i feel better. charlie: no question that you deserved it. you didn't say, well, look at what i have done that i don't deserve to be here on stage with these people? guest: i did want to trade seats with tom hanks because i wanted to sit next to obama. charlie: would you have given him a piece of your mind? guest: no. he has enough of people's minds. charlie: is feminism part of this? guest: no question. i think if you happen to be male, you better -- you are going to run across a few women in your lifetime. i went to all-boys' schools which is not a hotbed of feminism and have come a long way. and it was exciting. and this is how the story panned out and sam elliott is a forceful presence. but it is a female-driven movie. and the idea that lily's vibrant has and lived through 50 years of femnist history. charlie: a good year? guest: for me. harlie: same sex marriage. guest guest oy never thought i would see it. charlie: how is feminism. at the acade

charlie: a good year? guest: for me. charlie: same sex marriage. guest: i never thought i would see it. charlie: how is feminism. at the academy awards. and you saw people in the audience, in all the cutaways saying, yes. guest: that's a special audience. but still, i mean, there are some resurgence behind the e.r.a. and jane fonda and i is involved in advancing that. passing the e.r.a. once and all. charlie: and there is abortion and all the things it brings up. guest: purely human stories. films are talking about things happening in society but from the perspective of characters that you care about. that happened to me when the script occurred to me and that was the situation she was in, 10 weeks pregnant and trying to figure out and navigate a decision. charlie: thank god she had a grandmother. guest: to help her. one of the first things lily's character said, have you thought about this. i'm not going to say what happens in the move key, but it's a thread running through the movie. charlie: what's the relationship between you and your daughter?

charlie: misty copeland is here. last month, she became the first african-american woman to be named principal dancer of the american ballet theater in its 75-year history. the news came a few days after her new york debut in "swan lake." copeland began her ballet training at the unusually late age of 13. in two decades, she overcame numerous obstacles to become a rare pop culture celebrity. here's a look at her recent profile on cbs "60 minutes." >> misty copeland will tell you, she is never more alive than when she is on stage, on her toes, her athleticism and grace on full display. she can leap through the air. she can spin on a dime. she can make you believe she is by a lake.wan you feel comfortable up there? misty: yes. something happens when you feel that energy and excitement from the audience, and you do, you jump higher than you ever have. it's this really magical thing that happens in those moments. charlie: i am pleased to have misty copeland at this table for the first time. welcome. misty: thank you so m

charlie: oh sure. diplo: we went to the garage and played for two minutes, with everybody on an instrument. -- played for 20 minutes. got the files from them and edited down these loops and little pieces. i texted them one day, are you in town? fire, we with arcade jammed on live instruments for 45 minutes and cut it down to parts that we would later finish. sometimes we will start with three chords and a vocal. "take you there," that first record, we recorded the song, and when i say psalm, the vocal -- say song, i mean the vocal. but it took a long time to figure out the melody. that was a whole other side of the process. diplo: for me, sonny was a game changer in the dj world. while his production and mixing was another level above what i'm hearing on the radio, he has a high standard for the way he makes music sound. he is the first guy i met in the dj world that has a rock star presence. he is from a band, so he can handle himself on stage. a lot of djs are pretty boring. you kind of need to have

charlie: yes. mirren: anyway, when i was in my, sort of golden era, if you like, between 27 and 37, a great era in anyone's life, male or female. you're at the top of your game. you're getting to be wiser. it was a very bad time for british film. terrible time. confessions of a window cleaner. ust awful. it wasn't until i came to america -- i mean "prime suspect" was great. charlie: something like 14 million viewers in london "prime suspect." mirren: i had done a lot of very good tv at that point. charlie: you would like to have more film roles early? you could be, essentially, notwithstanding however old you are -- you work all the time. mirren: yes, i do. charlie: you are in the prime of your career. you're on broadway, in a film. mirren: it's been great for quite a long time. i have always gone between tv and film and theater. charlie: you can be prime for a long time. but it is good as it has been. mirren: absolutely. definitely. to be starring on broadway is fabulous. so great. charlie: what's

charlie: yes. sen. mccaskill: i am trying to keep the blinders on and figure out -- charlie: does schumer have influence over other senators? this is akill: situation -- this deal is beyond that. hopefully we all influence each other. this is a situation where, this is a tough call. this is hard. charlie: the toughest you have had to make? sen. mccaskill: one of the toughest. the state i represent, my state is coal dependent. charlie: these are decisions that may affect your reelection. sen. mccaskill: and costs in my state for people on fixed incomes. so those decisions have been tough for me. there are always tough decisions, but this is really tough because there is so much riding on this one way or the other in terms of the power of a iran and the safety of israel. charlie: hours and hours of conversation about this. they don't think the president negotiated well. do you buy that? or the president got the best deal that was gettable at this time. he thinks this is a good deal for the united states a

charlie: ah. steve: so if they did not and they tried to land the airplane, there may have been people alive when they hit water. charlie: do the people you talk to with the metaphor of you and i having a beer at the bar, what is it they believe? steve: nobody knows enough to believe anything. they can pick up a couple scenarios. -- think of a couple of scenarios. the one scenario that makes them uncomfortable is the second scenario where somebody is conscious. as i said, you can backtrack from where you know the airplane was when it was leveled off. you have an idea of where it might have run out of gas. you can draw a circle around that. if somebody was at the controls, they could have flown the airplane in any direction. we are trying to look to -- look for consistency so we can narrow the area for the plane. if they were flying it and heading toward the south pole and decided to go off to the right, now you opened up a really big search area. the airplane can glide about 125 miles after runnin

larry: charlie, i mean, charlie. charlie: what would you change about your life? larry: about my life? charlie: yes, your life. larry: that is a tough question. i don't know. i cannot think of anything. it would sound too petty for television. charlie: in other words, you are editing yourself now. larry: yeah. charlie: i want you to tell me. larry: somebody has to edit me, you are not going to. charlie: i don't want you to. larry: everything i don't want to say i know is going to be aired. i'll go, i said that? charlie: just tell me. what don't you like about your life? larry: i'm very happy with my life. charlie: are you afraid of people thinking that? larry: no. charlie: or are you afraid of them knowing what you don't like about your life? larry: that, yeah. charlie: is it women? [laughter] larry: yeah. charlie: women is one thing. what else? larry: it is women, yes. charlie: are you telling me the truth? larry: yeah, yeah. charlie: larry david has a woman problem? larry: i wouldn't put it like that. i would say that i'm relationship challenged. charlie: why? l

charlie: under modi? justin: under modi. charlie: really? so therefore, we should lower our expectations of what modi can do? justin: my expectations were never extremely elevated. i understood the restraints, the difficulties, the corruption, the low points of the congress party rule. but i am also a pragmatist. i realize the world is difficult. many of these things take a lot of time. and as an investor, you have to be all about time. charlie: so let's move to russia. st. petersburg, a wonderful city. justin: one of the great european cities. charlie: understandably so. my point is, tell me what you think of vladimir putin and his goals for russia before we consider ukraine and sanctions and all of that. justin: i think most large important countries have a historic narrative. like i explained, the chinese heritage about great civilization that was violated. in the russian context, i suspect probably what motivates putin beyond power and personal interest is related to this narrative of recent russian history, which is the demise of the em

charlie went you thought about playing burr -- charlie: you thought about playing burr? lin: because he gets all of the best songs. now you watch the show and cannot imagine me playing him. he gets these wonderful moments, one of my favorite seeing where he talks about -- being where he talks about not being in power. he says how am i not in this room? charlie: take a look at this, this is you in the white house in 2009. how does a vaster -- son, grow up to be a hero and a scholar. the $10 founding father without a father got a lot farther by working harder. by being a self-starter by 14 they placed him in charge of the trading charter aways carter -- carted he is expected to be a part of the brother a hurricane came devastation reigned the future dripped down the rent -- drain he wrote this for free word got around and they said this kid is insane let's send him to the mainland, get your education the world will know your name what is your name? alexander hamilton his name is alexander hamilton there are a million things he has not done, just you wait when he was 10, hi

charlie: how? bryan: monuments and memorials, and force this country to engage in the sober reflection we need to engage in so that no one can be proud of a confederate heritage that actually defended and sustained slavery, so that no one is confused about the fact that it wasn't the good old days in the beginning of the 20th century, so no one can be indifferent to the demise asian of black people, because we thought about what that the demise nation represents. in south africa there was a recognition you couldn't recover from without truth and reconciliation. in rwanda there is a recognition there will not be peace. you go to germany and you can't go 100 meters in berlin without seeing markers and stones placed in front of homes where jewish families were abducted. he wanted you to go to these cams and reflect soberly on the history of the holocaust. poetry unification they did an effort to deal with the legacy of the holocaust more than we have done in 160 years since the end of slavery. charlie

charlie: it does. because in the early days of sunlight television, the incumbents said why would anybody pay for a satellite dish? the answer was simple. better picture quality. it was all digital. an interactive guide. less expensive. the bundles were smaller so you had more choices as a consumer. the signal quality was more reliable. it was a better picture. hdtv is more prevelent with satellite. and so now people are asking the question, why would you pay for ott? there are similarities. ott eliminates some of the pain points. so many homes do not pay for ott as we know it. they pay for netflix or hulu. we take away some of those paying points with ott. you don't have to sign a contract, you don't have equipment to buy normally. you can go on vacation and not pay for a subscription or to put it on hold for a month. it is immediate. so you could sign up for sling tv and you can watch the nba finals tonight and you don't have to wait for an installer. betty: you don't have to wait out of work and wai

charlie: yes. was it -- you were at the state department when the decision to go to war in iraq the second time. is this the most consequential debate in american foreign policy since the decision to go to war and why? richard: it is certainly high on the list. you can argue the decision not to get involved in syria was quite consequential. you could argue that some of the decisions on trade agreements are extraordinarily consequential, but yes. this is high, both in the specifics given the iran nuclear issue, given how already turbulent the middle east is and the fact that the united states has put a lot of credibility on the line so the stakes now transcend the regional. there is also the issue of american reliability and predictability. so, yes, this is a high-stakes issue, for sure. charlie: the most consequential debate for america, do you think? chemi: it is certainly one of the most consequential debates for america and certainly one of the most consequential events in the history of the rel

charlie: thank you for coming. mirren: thank you, charlie. brilliant. ♪ ♪ emily: it has changed the way we watch video, redefined going viral, challenged governments, and even launched the career of justin bieber. today, youtube, now owned by google, has more than 1 billion users, uploading 300 hours of video every minute. it all started a decade ago with a trip to the zoo. and one of the founders says he is not quite done changing the way we are entertained. joining me today on "studio 1.0," youtube cofounder and former ceo, chad hurley. chad, thank you so much for being here. it is so great to have you.

charlie: what is the bias? it has to dol: with marginalizing african people, assumption of guilt, a lack of resources to defend themselves in a system that can be byzantine and difficult to navigate even with the best lawyer. the criminal justice system that has gotten off the path of things like drug court and reentry court, and trying to someoneut a way to have become a full-fledged citizen of this country rather than institutionalizing them and warehousing them for years. the african-american community has a reason to protest. it got very complicated in st. louis because the facts of the michael brown case weren't the facts that supported the frustrations being vented now. other cases around the country that i think probably show more clearly that sometimes police officers make assumptions they shouldn't make but the vast majority of police officers in the african-american community want to come together, and wants to have a system that people can trust and feel like justice can be blind. we have work to do

this is "charlie rose." . charlie: analysis of the first republican presidential debate. the top 10 candidates topped off in cleveland and questioned them. this included the economy and social issues. all of the contenders high lighted conservative themes and it was good television and one of the most awaited political events of the year. here's a look of some last night's most memorable moments. >> this election cannot be a resume competition. if this election is a resume competition, hillary clinton is going to be the next president. if i'm our nominee, how is hillary clinton going to lecture me living paycheck to paycheck. how is she going to lecture to me about student loans. >> i'm going to have earn this. the bar is higher for me. that's fine. i have a record in florida. i'm proud of my dad and brother, in florida, they call me jeb, because i earned it. >> i think the big problem this country has is being politically correct. [applause] >> i have been challenged by so many people and i don't frankly have time for total political correctness. and to be honest with yo

charlie: back in a moment, stay with us. ♪ charlie: her latest project is the prophet. she produces and voices a character based on the lebanese poet. here's a look at the trailer. ♪ >> do i hear a mouse? my name is mustafa, what is yours? >> i'm going to miss him. >> i have flown away many times. >> what would i have left if i disavowed all that i believe? ♪ >> to love and freedom. it will be all right. >> fight crime -- -- my crime -- poetry. charlie: i'm pleased to have salma hayek. what is it about this? all of us grew up with the prophet. 1923. all of us know something about its poetry and its inspiration. how did you discover it and say i have to make a movie? salma: i discovered it because my grandfather always had the book on his bedside table. the original copy had a drawing of a man and i was sort of haunted by this man. i associated it with my grandfather. he died when i was six. it was the first traumatizing experience with death. i always wished that i knew him better and he could be there to guide me through life. when i was 18 i found that book in som

charlie rose: of course. guest: i knew that we had to address the supreme court stuff and charleston. he comes into my driveway, which was tented. we had snipers on my neighbor's roof. i had to ask them if we could do that. my neighbor was retired and he was thrilled. are youlike, " are yo kidding?" secret service for a day! guest: you stay focused. it was solitary. there was no distraction. my garage is cluttered for a reason. there were 15-20 secret service people around and all i could think about was that i had to connect with barack obama. up, i could tell that there were a lot of people coming up the driveway and you see the president go, "hey, mark." ispats me on the back and like, we are going to have a good time, right? i am like, i don't know. some bad things happened in the last couple of days. he was prepared to have a lighthearted and slightly candid conversation. narcissistlled me a because there is artwork of people -- that people have done of me. i brought that up and i am not sure that he kne

charlie: you can see that. even if you're doing something much simpler, even when you're having a conversation with the audience. you can feel them becoming more engaged. it is almost your own rhythm of talking seems to be in touch with their rhythm of breathing. you know even before you hit what might be a funny line, and unscripted, they laugh almost before. leslie: sometimes, the applause will start even before we finish . charlie: they can't resist. it is so fun. do you think this will change you? leslie: it already has. i can only imagine a year after this show. i hope that i get to leave and do other things and maybe come back. when i have a kid. i don't have any children. yeah, as people important to me age, as i -- our show deals with life and death so much in a healing and honest way. to have this art to work through this stuff is a real gift that lin is not only giving to the world but to us from inside it. it moves me just as much as it moves you. charlie: i think what is great about this, and people

charlie: what else is on the bucket list? diplo: charlie rose show. charlie: what about musically? diplo: it's strange we have people paying attention to this project. people are expecting another single with us. everything that has happened with these records has happened organically. we have a strange leverage for artists to give us the best records they have done. they respect us. for five years, we struggle to have people understand us. charlie: when you say leverage -- diplo: when you're working with the artist it is always a sense of negotiating. you find out where the comfort level is. and how far you can take them in one direction or another. sometimes it will take up most of the space and you only have a little say in the work. we did 90% of the direction it went. charlie: that has to do with bieber trusting you? diplo: exactly. once we take it to another level i think it gives people confidence to allow us to do it again. skrillex: they have family, and kids, and all the stuff. we are so inspired and hungry to make great songs and great tracks that sound like nothing else

charlie: it does. back in the early days, people wanted to pay the premium for the satellite dish, and the bundles were smaller, the view was better, and the signal quality was more reliable, it was a better picture, and so now people are asking the question, why would you pay for ott and the similarities? ott is in so many homes and they don't pay for television as we know it. they pay for netflix and we take away some of those pain points with ott. you don't have to sign a contract, you don't have equipment to buy it normally. you can go on vacation and not pay for of subscription or to put it on hold for a month. it is immediate. you can watch the nba finals tonight and you don't have to wait for an installer. betty: you don't have to wait out of work and wait for the cable guy. charlie: we have several many packs that you can add onto if you want to, including showtime and hbo, so it attracts a lot of people, particularly younger people who are not wanting to pay for more television today. we have

charlie: even chicago. adam: so to that extent, we are a cosmopolitan magazine of a particular kind. we have readers in paris. we have readers in london and chicago. miami. whatever. these places that have a certain lens and that is what we are about. so whether we write about bill de blasio, barack obama, hollywood, science, what not, we try to do all of that through a lens which is broad but has consistent attributes. charlie: take a look at this cover. this young man caotes came and sat at this table. adam: he is an amazing intellect. one of the true public intellectuals of our age. charlie: what does that mean of our age? adam: there used to be a category. categorically he is that. also he has had an amazing effect on the discourse of the last few years. charlie: he writes about what he knows. adam: what he knows personally and layering on to his own experience a great moral force and a great intelligence. charlie: where is the magazine going? adam: we are going to try to do what we do better. i think t

charlie: george w. bush's book expressed confusion at the time as to why bush senior did not ask you for your resignation. john: his description of that time and my description in my book are the same. knowingo washington that the half-life of a chief of staff was eight or nine months. it was the end of the third year. the press was really giving me a hard time. i had a conversation with george w., had conversations with andy card. i thought if i lived at that time the lightning would follow me, went home over thanksgiving, thought about our discussions, quebec monday and told the it was my decision in the context of a lot of conversations in which we all mutually agreed there were problems for the president or it charlie: you being chief of staff. what were they? john: at that time the press was going after me on travel issues, even though i was traveling under the directive of a presidential order that reagan had put in place that said the the nationalf or security advisor are prohibited from flying c

>> dish network founder charlie ergen. time on bloomberg television, he weighs in on seismic shifts taking place in television. his plan of becoming the next big wireless company and why he might be looking to merge with that guy, john ledger. >> they have done a fantastic job in being the upstart company i am curious about. betty: the famously tough boss faces pressure about his management style. someone if you are not who is used to high expectations, you might not be comfortable here. betty: i'm betty liu. welcome to "titans at the table." charlie ergen has always been something of a fearless renegade. he led a group that created echostar in the 1980's and decade.-- in the next in the process, he would become one of the richest men in america, worth nearly $20 billion. he stepped out of the spotlight in 2011 and handed the ceo reins to joe clinton. he is back in the hot seat. with the satellite tv business in its early days, he wants to get the forefront of this change by creating a new over the top product called sling

bryant: i have a lot of envision, charlie. -- ambition, charlie. i still like being engaged with smart people. i still like discussions and conversations. i just don't feel the need to do them in public. i don't have that overriding ambition for everybody to know what i am thinking. it is not that important to me. it really isn't. i'm happy to have discussions with friends and acquaintances, people at dinner. but the idea of getting in front of a camera and engaging people on any and everything and fighting them tooth and nail, i don't have that anymore. i don't. charlie: you do have that about sports. more thane sports as simply, as you will, it is not about the score, at the end of the day, it is about the culture. sports are culturally relevant. sports is about real sports like rocky was about boxing. boxing was the vehicle to tell them about hopes and dreams in class and ambition and disappointment. and real sports uses sports as a vehicle to talk about race and gender and class and education and societal norms and politics and finance and ever

charlie: we have high expectations. betty: join me as charlie ergen dishes it out on this addition of "titans at the table." hello. welcome to "titans at the table." charlie ergen has always been something of a fearless renegade. ergen led a group in the 1980's and started dish in the next decade. in the process, he has become one of the richest men in america, worth nearly $20 billion. he stepped out of the spotlight in 2011 and handed the ceo reins to joe clinton. he is back in the hot seat. with the satellite tv business in its early days, he wants to get the forefront of this change by creating a new over the top product called sling tv and buying up the billions of dollars worth of wireless assets. assets he says can be used to build a legitimate competitor to at&t and verizon. when we first sat down for interview, i asked ergen to describe this new frontier. charlie: now we are in another transformation. it has gone about in two places. one is tv itself is transforming. people are looking for more of what they wan

♪ >> from our studios in new york city, this is charlie rose. charlie: bryant gumbel is here. he is one of television's best broadcasters. he hosted the "today show" for 15 years. he joined cbs in 1997 on both his own primetime program and the early show. since 1995 he hosted hbo's real sports with bryant gumbel. the monthly magazine program has won numerous awards including 28 sports emmys and a peabody in 2012. it doesn't get any better than that. i am pleased to have bryant gumbel at this table. bryant: the last time we did this was 1999. charlie: i don't remember the 90's. bryant: it was right after my bar mitzvah. [laughter] it's a wonderful broadcast. i have really good people. it is a great place to work. it has been really a lot of fun. charlie: what is your frame of mind today? you have real sports. you won the peabody, for god's sake. hbo is a good place to work they pay you well. is that it for you? bryant: i think so. i enjoy working in the mornings. like you. i love your work and you know i watch constantly. i think i've had my time. what i do doesn't fit with the

charlie: did you? dense.it is quite i was not used to reading -- not long form, but longer form than what i have been used to which is feature films. even how to read it, i was a little bit -- i was new to it. we met with david and paul and paul said to me, really smart thing for a director to say, he said -- i want you to do this oscar because i have no idea how you will do this. that appeals to my sense of challenge. i saw a video of the actual nick wasicsko. it was not until i saw that that i said -- i want to do that. he broke my heart. just to see the way he would move and talk. soundede -- it always like he was appealing to someone that was not listening. his voice was always about to crack. it felt like someone that was a bit lost, trying so hard. charlie: tell me the story so we have a sense of what this is about. david: it is a quotidian politician. a bank -- a backbench politician, very young, who is put up to run for mayor. he is a sacrificial lamb. he is supposed to lose. to an incumbent wh

charlie: thank you very much. ♪ charlie: andrew liveris is here. ♪\ charlie: andrew liveris is here. he has spent his entire career at dow chemical. he became ceo in 2004. he has also reinvented the company in response to domestic and global challenges. he had extensive dealings with the chinese government, which is getting a lot of attention with currency evaluation. i'm pleased to have andrew liveris at the table. andrew: great to be here. charlie: your daughter worked on this program. andrew: she loved it here. your staff was all over me. thank you. charlie: she is well? andrew: yes, she is. making films. charlie: what she always wanted to do. send her our best. andrew: thank you. charlie: let me begin on china. it is the story everyone is talking about, devaluation. tell me what impact, why they did it, what they hope to accomplish, and what effect will have another economies? andrew: we saw the 2012 timeframe, xi jinping's arrival. run.abinet, his 10-year this is now an economy in transition and we should expect these pivots. these will be like the violations. why? china's gdp b

charlie: we think. helen mirren: it is completely and utterly private and is one of the few places that either of them can feel utterly secure. charlie: so peter had to imagine. mirren: peter imagines everything. but the only thing the prime ministers have said is that they felt they could say things to the queen that they could not say to anyone else because she is in a position of knowledge. but at the same time, she's got to keep her mouth shut. they felt free with her, and in a way, for some of them it became kind of a shrink. charlie: you see her going from churchill to cameron. church hill, she was what? 26? churchill was a friend of the royal family. mirren: absolutely. and through the war and everything. you must've been very present. charlie: and counseled her when she made a decision? helen: absolutely. charlie: her attitude had to be a certain sense of awe. mirren: yes. she was the queen. yes, of course. that early scene where she is young and does not know what she's doing, and he is trainin

charlie bank he's pretty good on radio -- charlie: he's pretty good on radio. par -- does paul harvey tried to get the two of them together. because if we can get the two of us together we would own the radio. right back my dad was a lawyer first and then a judge. -- bryant: my dad was a lawyer first and then a judge. charlie: the most admired man you have ever known? bryant: easily. it is not a fair world. i am, was brighter than hard-working than i am arian did more -- than i am. did more for society than i ever did. in his best year he didn't make what people in television make in a good month. society is not fair. times change. dad, my dadved my died at 51. i even count the days when i passed him. you always look at your parents passed that time i was like he really was young. his 51 years were different in our 51 years. he died before i ever was on the air. charlie: my father died during the night watch. he would watch it every night. he was on a bicycle, like a treadmill. he fell off and the doctor said he was dead by the time he hit the floor. he probabl

charlie rose: i did. marc: when you have been doing this long enough, it is like, "was that really him?" it was weird. he put me at ease fairly quickly. he planted himself inside of the environment. he looked around. he took it in. he commented on it. and then, it was like, ok, he is in the room. he is not thinking about the next thing. he is here. charlie rose: where does it go from here? marc: where it goes is, after all is said and done, i do a specific type of show and i get back to business. i was asked by -- one person asked me this question as a journalist, and i wish that i could remember his name. he said, do you interview candidates now? i interviewed the president. i'm not going to talk to candidates. i'm not going to get involved in politics again. are you crazy? charlie rose: if they get elected, they can call me. marc: that's right. or, if they were once president. charlie rose: i mean, tell me more about where you take they are and what makes them give people who might not have had access t

charlie: explain why. andrew: personal growth and mentoring and tutoring young thing i- the proudest have done 10 years from now is i have helped a lot of young people along the way to fulfill their dreams and ambitions in doubt. is your your company detroit. how is detroit doing? andrew: not as well as it is reported, but it has started its journey. wastelands are being converted to park. charlie: he bought a lot of land to change it himself. andrew: exactly. the recommitment to the city center. my hometown is two hours north of detroit. we commit to the community to help it be the very best place in america to live. he got voted as one of the best small towns in america. we work with the community leaders. we work with the sports facilities. we do what it takes to attract the best and the right is. charlie: about now and its place -- dow and its place in the world. wasceo of general electric deeply anguished by the lack of funding for the export import inc.. do you share -- export-import bank. you share

charlie: how do you see him? nathan: when i read the play as a kid, i got a collection of eugene o'neill plays, i read "the iceman cometh," i was drawn to the character of hickey. because of the description that only a writes that sounded a little like me. he describes him as short and roly-poly with a button nose and a twinkle in his eye. he always writes these long descriptions of characters, rather too specific for everyone to live up to. what he created i thought and , what i was bringing up to bob in my e-mail was it is defined by jason robards. he was the gold standard. in 1956, when they did the revival off-broadway, they defined to that character is. than saymuch darker the original production in 1946. mischievoust this malevolence and otherworldly quality to it. i was saying to bob, wouldn't it be interesting, taking what o'neill has said about him, the notion is he loves these guys. just as he ultimately says he killed his wife and said it was heact of mercy out of love, has come to help them, change th

charlie: tv is changing. people are looking more for what they want to watch and not paying for what they don't want to watch. tv is everywhere. part of that is the technology is ott, over the top that allows customers to do that. the second transformation is wireless. there is only two ways to do this, one is through the wire and the other way is through wireless, and we started that about five years ago. we wanted to be part of that connectivity revolution. the best place to do this in the marketplace is in wireless technology. betty: this is why you have accumulated $50 million or $60 million in wireless assets? charlie: it is only really worth money when you put it to use and when you ultimately build a business around it and get discounted cash flows in the future. that is what we are looking forward to the future. betty: charlie, does this remind you at all about the transformation of television and the on boarding of so many people wirelessly. does this remind you of the early days of satellite televis

charlie said say no. i said yes and he looked pretty peeved. >> hoyt's testimony that family members boasted the killings was crucial but wasn't enough. the state needed more. they got it with linda. though she didn't participate, kasabian was at both crime scenes. >> manson did not go on any of these. >> she gave cnn one of her only interviews in 2009. >> i started hearing horrible screaming. so i started running toward the house and i said, sadie, please make it stop. and she said, i can't. it is too late. >> in exchange for immunity, she testified for a grueling 18 days. >> linda was an excellent witness. she told the truth and it came out. >> who was the most influential witness on the stand? >> linda kasabian. >> the defense rested without calling a single witness. the stage was now set for the unforgettable closing arguments. >> charles manson sent out from the fires of hell four heartless cold-blooded robots. that's what i told the jury. and they pointed out them out. they are guilty as sin. >> the