when i watched the film afterwards, we storyboarded the whole film, and i watched how many shots were in a different place, or how many shots were not in the film, and it was i think six. so everything they do is so accurate. whereas in another film, the editor might take things out of order, move things about, and that makes something you really didn't think of, you know? charlie: take a look at this, "shawshank redemption," one of my favorite films. tim robbins making his famous escape. tell me what the cinematographer sees. roger: the way we wanted to shoot the sequence was way, way longer than we actually had time in the schedule to do. so much of what you do is actually conditioned by the money and the schedule. charlie: right. roger: in the storyboards, we had him get out of the water, run across the field, and catch a train that's going by. but we did not have time to do that, so we needed one kind of iconic shot that actually tells the story of his escape, getting across that moat. so the last shot of the sequence is what people reference, the one that really matters. charlie:

so here are our storyboards... >> the director explains that rather than having cars crash, the video uses common situations in school to illustrate the dangers of poor line of sight. >> and we're gonna do it a couple of times. action! timecode is 13:18:13. pushing a cart down the hall a little too quickly, and she can't see what's coming. [ zing! crash! ] >> cut! nice! >> of all the scenes shot that day, everyone's favorite was the one with the cakes. >> okay, here we go. standing by, everybody. this is it. this is the big one. action! >> i was holding a cake, and i kind of demonstrated how, like, when you can't see, you're gonna crash, and so i got the cake all over me. >> it was a good example of what -- smaller metaphor of what an accident could be with a collision with two cakes instead [ splat! ] and i was completely covered in vanilla frosting. i think it was a pretty fun way to display a pretty serious situation. >> okay, we got it! >> the bottom line -- if you slow down and make sure you have proper line of sight, blind curves and hills should be a piece of cake. and you can

." >> you can submit your idea as a script...or as a storyboard. that's a series of drawings that visualize your concept. but please don't send a video. video entries will not be accepted. the grand-prize winner gets $1,000 and a trip to new york city to work with an award-winning production company and in four, you're stepping into the hole. >> ohh! >> once complete, the psa will make its tv debut, right here on "teen kids news." >> ohh! >> the winner will also be profiled in scholastic's classroom magazines distributed nationwide. for more information about the contest and to download an entry form, check out teenlane.org or follow the link on our website. >> and remember -- get your entries in by february 5, 2016. that's the contest deadline. >> your idea can help save a life. good luck. for "teen kids news," i'm amelia. [ tires screech ] [ indistinct conversations ] >> cool party! >> what do you guys want to drink? >> can i have a head-on collision with a concussion twist? [ tires screech ] [ vehicle crashes ] >> make mine a fatal accident with

." >> you can submit your idea as a script...or as a storyboard. that's a series of drawings that visualize your concept. but please don't send a video. video entries will not be accepted. the grand-prize winner gets $1,000 and a trip to new york city to work with an to produce the psa. >> action. and in four, you're stepping into the hole. >> ohh! >> once complete, the psa will make its tv debut, right here on "teen kids news." >> ohh! >> the winner will also be profiled in scholastic's classroom magazines distributed nationwide. for more information about the contest and to download an entry form, check out teenlane.org or follow the link on our website. >> and remember -- get your entries in by february 5, 2016. that's the contest deadline. >> your idea can help save a life. good luck. for "teen kids news," i'm amelia. [ tires screech ] [ indistinct conversations ] >> cool party! >> what do you guys want to drink? >> can i have a head-on collision with a concussion twist? [ tires screech ] [ vehicle crashes ] >> make mine a fatal accident with n

steffani: the storyboards, and gingerbread men, got a fresh coat of paint this year. and they added the gingerbread house. >> we stand outside on weekends and collect canned goods for the food bank, money for the food bank, dressed up as elves, gingerbread boys, mr. and mrs. clause. steffani: car after car, even limos line up to see the story. >> i love that my kids get to they get excited waving at sharing the joy of christmas. >> sometimes you have a hard time getting out of your driveway, but you expect that when it's about that time of the year though. steffani: it's just what you come to expect when you live on gingerbread lane. >> those folks that now move usually greeted with the gingerbread that goes along with the house. steffani: and don't miss the frosty story on across the street on rio circle. steve: most of the lights on gingerbread lane stay on until about midnight. they'll be up until new years. the neighborhood is collecting donations for the food bank of iowa. so far, they've raised more than $1000. still to come, face plant. why it never pays to run

steffani: the storyboards and gingerbread man got a fresh coat of paint. and they added the gingerbread house. >> we now stand outside on the weekend and collect canned goods for the food bank and money for the food bank dressed up as elves, gingerbread boys, and mr. and mrs. claus. steffani: car after car, even limos lineup. >>the neighbors think it's beautiful as well. waiting at this and excited sharing the joy of christmas. >> sometimes you have a hard time getting out of your driveway but you expect that when it's that time of year. steffani: it's just what you come to expect when you live on gingerbread lane. >> the folks that move into the neighborhood are usually greeted with the gingerbread that goes along with the house. steffani: don't miss the frosty story across the street on rio circle. in ankeny, steffani nolte, kcci 8 news. eric: most of the lights stay on until about midnight and they will be up until new years. the neighborhood is collecting donations for the food bank of iowa. they have raised more than one thousand dollars in donations.

so here are our storyboards... rather than having cars crash, the video uses common situations in school to illustrate the dangers of poor line of sight. >> and we're gonna do it a couple of times. action! timecode is 13:18:13. >> in this scene, a teacher is pushing a cart down the hall a little too quickly, and she can't see what's coming. [ zing! crash! ] >> cut! nice! >> of all the scenes shot that day, everyone's favorite was the one with the cakes. >> okay, here we go. standing by, everybody. this is it. this is the big one. action! >> i was holding a cake, and i when you can't see, you're gonna crash, and so i got the cake all over me. >> it was a good example of what -- smaller metaphor of what an accident could be with a collision with two cakes instead of two automobiles. [ splat! ] and i was completely covered in vanilla frosting. i think it was a pretty fun way to display a pretty serious situation. >> okay, we got it! >> the bottom line -- if you slow down and make sure you have proper line of sight, bl

the storyboards, the gingerbread man, they got a fresh coat of paint. they added a gingerbread house. >> you don't see this often so to collect canned goods for the food bank and money for the food bank is a big thing for me to show my kids that giving is the most important reason for the season and the so i was excited. eric: most of the lights stay on until about midnight each night and it will be up until new the neighborhood is collecting donations for the food bank of iowa and so far they have raised more than $1000. they have been out there for a while so it is a place to be. jason: it is. i was surprised to hear the story of frosty the snowman even though we don't have snow yet. an important factor but we do have a chance. rain, a smattering across the state. and often to nebraska, south dakota as well. some of us could see it mixing in but mainly just looking at rain. temperatures starting in the low 40's and topping out at 48 degrees. a relatively mild day besides the rain and an eventual transition over to light snow mixing in with the rain do

you could just do storyboards. okay? what i'm hoping that mark learns in this process is if he can follow direction, we're gonna have wild success. but if he continues to rebel and argue and fight all along the way, we're gonna end up with no deal. -mark: can't wait. -sam: mm-hmm. -lemonis: all right? -sam: yeah. -mark: it's easy. -lemonis: okay. -thank you so much. -anthony: yes, sir. lemonis: we're gonna be back. ♪ you know my people process product theory. -sam: yeah. -lemonis: i feel like i can check the box on the people side. i feel like your process is as janky as it gets. sam: we agree. lemonis: i'm taking mark and sam to modern candle because mark can't continue to be a one-man band. we have to find a manufacturing partner that can allow us to do real volume and make money. mark: one thing is, i have a little issue with this place right now. they've done work for me in the past, and they kind of messed up on some orders of mine. it didn't look like the blend -- like, something was wrong with it. -it just didn'

. >> i mean, how could--how-- >> where are the storyboards, or sketches, or something? >> i'm not a drawer. i can't draw. >> i know you're not an artist, and you're not getting out there bending the plastic or whatever, but, i mean, you literally have nothing. you didn't reach out to me one time about that. you didn't say to me, "man, i'm stuck. i don't know what to do here." i-i don't even know what to say. i haven't asked you for anything. i just don't think you want to do it. >> i-if you could come up with a good idea, i would love to do it. >> why do i have to come up with the idea? >> 'cause you're part of the company. >> i'm a minority shareholder that just paid off your debt. i mean, honestly, i just feel like you basically just said, "[bleep] you. i'm just not gonna do it." those deal points? if they're not gonna be ironed out, we're not gonna have a deal. >> we don't like the fact that you can say no. >> go stand in the corner and shut the [bleep] up. redid you say 97?97! yes. you know, that reminds me of geico's 97% customer satisfaction rating. 97%? helped by