we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well. i keep wanting to say lucky logan. detroit, i've seen many rave reviews already. i'm a big fan of kathryn bigelow who won an oscar for the hurt locker and directed zero dark thirty. the film is set in 1967 in the detroit riots, it begins with a broad canvas and the film slowly focuses in on a particular event. at the beginning, a speak easy is raided, rioting breaks out, the state troopers and national guardsmen are sent in, the rioting continues. we then follow a particular character played by a musician who is denied his moment in the spotlight because the riot is breaking mout. he takes refuge in the algiers motel. the police then discend on the motel where they believe there is a sniper. the police are led by a character called kra

we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well. i keep wanting to say lucky logan. detroit, i've seen many rave reviews already. i'm a big fan of kathryn bigelow who won an oscar for the hurt locker and directed zero dark thirty. the film is set in 1967 in the detroit riots, it begins with a broad canvas and the film slowly focuses in on a particular event. at the beginning, a speak easy is raided, rioting breaks out, the state troopers and national guardsmen are sent in, the rioting continues. we then follow a particular character played by a musician who is denied his moment in the spotlight because the riot is breaking mout. he takes refuge in the algiers motel. the police then discend on the motel where they believe there is a sniper. the police are led by a character called kra

we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well. i keep wanting to say lucky logan. detroit, i've seen many rave reviews already. i'm a big fan of kathryn bigelow who won an oscar for the hurt locker and directed zero dark thirty. the film is set in 1967 in the detroit riots. it begins with a broad canvas and the film slowly focuses in on a particular event. at the beginning, a speak easy is raided, rioting breaks out, the state troopers and national guardsmen are sent in, the rioting continues. we then follow a particular character played by a musician who is denied his moment in the spotlight because the riot is breaking out. he takes refuge in the algiers motel. the police then discend on the motel where they believe there is a sniper. the police are led by a character called krau

then there was detroit, a film based on the 1967 detroit riots, directed by kathryn bigelow. it sparked a fair bit of debate, which is still ongoing. in detroit, a city at war, violence continues. what is a black film? is it possible for white filmmakers in hollywood to adequately tell stories from a black respective? the film detroit, set in detroit, michigan and directed by a kathryn bigelow, has reignited this debate. the film depicts the algiers motel incident, where the cops during the riot thought there was a sniper in the motel, and they went and lined a bunch of people up against the wall, and kept them there for hours, and terrorised them. and, by the time the incident was over, three african—americans were dead. i got all night, people. the centrepiece of the movie is the 45—minute—long motel sequence. some have said that this is the most powerful part of the film, as it gives a window into the nature of police brutality, which is still present to this day. others have said it is a nearly pornographic lynching sequence, and has little value. let's not be stupi

we begin with a new film from director kathryn bigelow. it is called "detroit" and tells the story to have 1967 detroit riots at the algiers motel. >> the rider next -- the writerrer next to me whose work is extraordinary came to me with a story about the detroit uprising? 1967, a true story of a true cyme set in the middle of it in the algiers motel, and it was simply put an execution, and a portrait of police brutality and racial injustice that was extremely moving, very timely and topical. about the same time he told me the story, the decision not to

my guest tonight the academy award winning director of the new movie "detroit" kathryn bigelow is here, everybody! ( cheers and applause ) really excited for the conversation. but first, to start today's show, let us please open our twitters to the book of donald. ( laughter ) as we read from tweet 8:28 a.m. highest stock -- blah blah blah, blah blah -- economic numbers, blah blah blah -- 17 years -- blah blah blah -- border secure, supreme court -- no white house chaos. none. zero, not even a little bit of chaos in the white house. >> we do have breaking news. president trump has removed anthony scaramucci as communications director. >> this is a white house that appears to be in staff chaos and turmoil from week to week. >> trevor: wait, what?! scaramucci out? he just got here! i just bought the scaramucci 2017 jersey! what the hell, people! i just bought it! i haven't even finished my scaramucci tattoo! now it's just a scar! what am i supposed to do with another scar tattoo! i've got one from the lion ding, now i have two? scaramucci's job hadn't started yet. his official start date

the film was put together by a white director, kathryn bigelow, and a white writer, mark boal. so it didn't feature any black creators on the production team.” think the issue of who made this film and whether it should have been black filmmakers is on the one hand an important one to discuss, and to the extent that we need more talented people who are african—americans behind the camera. 0n the other hand, it is a very dicey issue, and i think a very slippery slope, when you have some people saying that a film of this subject should not be made by white filmmakers. it seems like freedom of expression means, to me, that people should be able to make works of art about people of different races. should be able to make works of art about people of different racesm isa war about people of different racesm is a war zone out there. while there has been a backlash about the race of the creative team behind detroit, white american film makers producing what may be considered black films is not uncommon. 0ne what may be considered black films is not uncommon. one of the most notabl

we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well. i keep wanting to say lucky logan. detroit, i've seen many rave reviews already. i'm a big fan of kathryn bigelow who won an oscar for the hurt locker and directed zero dark thirty. the film is set in 1967 in the detroit riots, it begins with a broad canvas and the film slowly focuses

and director kathryn bigelow's movie d "detroit" unfolds police brutality and corruption set against the backdrop of the detroit riots. >> i need you to survive the night. >> survive the night. >> rose: we'll have those stories and more on what happened and what might happen. >> rose: funding for "charlie rose" has been provided by the following: >> and by bloomberg, a provider of multimedia news and information services worldwide. captioning sponsored by rose communications >> rose: and so you began how? >> work with them. >> rose: is it luck at all, or is it something else? >> committing myself. >> rose: what's the object lesson here? >> tackle the big things. >> rose: tell me the significance of the moment. >> rose: this was the week retired general john kelly was sworn in as president trump's new chief of staff. "the washington post" obtained trichts of the president's calls with leaders of mexico and australia. and the city of los angeles was awarded its third olympics, the 2028 summer games. here are the sights and sounds of the past seven days. >> nikki haley calling venezuela

detroit's director kathryn bigelow remains the only woman to win a best director oscar. but this year, there have been breakthroughs. at the cannes film festival, sofia coppola won best director. and wonder woman, directed by pattyjenkins, has become one of the year's biggest hits. so much more needs to be done, but wonder woman is an incredible step forward. and i think it is simply a glass ceiling that's in the process of shattering, but perhaps not as quickly as we would like. the oscar's academy too has been changing, bringing in new members, like boyega. the academy to me represents huge influence — the voice of the industry — and it's very important for that voice to have a diverse perspective. ijust hope there is a move forward because, yeah, i think were done having this conversation! laughter. detroit is also aiming to be part of that conversation. a film that feels both historical and all too relevant to today. lizo mzimba, bbc news.

we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well. i keep wanting to say lucky logan. detroit, i've seen many rave reviews already. i'm a big fan of kathryn bigelow who won an oscar for the hurt locker and directed zero dark thirty. the film is set in 1967 in the detroit riots, it begins with a broad canvas and the film slowly focuses in on a particular event. at the beginning, a speak easy is raided, rioting breaks out, the state troopers and national guardsmen are sent in, the rioting continues. we then follow a particular character played by a musician who is denied his moment in the spotlight because the riot is breaking mout. he takes refuge in the algiers motel. the police then discend on the motel where they believe there is a sniper. the police are led by a character called kra

we begin with a new film from director kathryn bigelow. it is called "detroit" and tells the story to have 1967 detroit riots at the algiers motel. >> the rider next -- the writerrer next to me whose work is extraordinary came to me with a story about the detroit uprising? 1967, a true story of a true cyme set in the middle of it in the algiers motel, and it was simply put an execution, and a portrait of police brutality and racial injustice that was extremely moving, very timely and topical. about the same time he told me the story, the decision not to indict the officer involved in the michael brown shooting had taken place. so i felt that the story needed to be told. >> rose: and we continue this evening with icarus, a new netflix film that explores russia's long-running state-sponsored doping program. >> i had the curiosity my whole life, what do the drugs do? would they make me a better athlete? could i possibly be a champion? so i had that curiosity. the second part of that curiosity is what decision does an athlete competing on a wo

and then there's kathryn bigelow. if i'm going off course, she can easily point me in the right direction. and the words. charlie: how about the character? step was tohe first educate myself where i lacked some critical knowledge. i was not aware of the rebellion in detroit. i think i lacked some knowledge generally speaking when it came to the specifics of race relations in america. complexour own kind of racial history in the u.k., but i really did not know about the state of affairs in america at that time. learning the surface level information was important to me. i think delving deep into the topic of race and racial history was not necessary because i was looking to embrace ignorance by playing a racist. that is what you do. on form an opinion based lack of information or misinformation. going in, it was helpful in that respect. i kind of intensified that ignorance in the most aggressive and unapologetic way that i could because i think kathryn and i were in agreement about the fact his character needed to be e

we have detroit, which is the new movie by kathryn bigelow. we have logan lucky, which i keep wanting to call lucky logan because it looks like the look words should be round that way. and tom cruise is back doing what he does best in american made. i'm glad you've got a logan lucky issue because i have as well.

i highly recommend people see it. >> thank god for kathryn bigelow. >> and good job for you, for having helped to advise, that's nice, thank you, eric dyson. >>> the question of colossian. are democrats spending too much time on the russia investigation? that's next. when you've been making delicious natural cheese for over 100 years like kraft has, you learn a lot about people's tastes. honey, what do you want for dinner tonight? oh whatever you're making. triple cheddar stuffed sliders. sold! we rbut we are not victims.ack. we are survivors. we are survivors. we are survivors. and now we take brilinta. for people who've been hospitalized for a heart attack. we take brilinta with a baby aspirin. no more than one hundred milligrams... ...as it affects how well brilinta works. brilinta helps keep platelets from sticking together and forming a clot. in a clinical study brilinta worked better than plavix®. brilinta reduced the chance of another heart attack. or dying from one. don't stop taking brilinta without talking to your doctor,... ...since stopping it too soon increases your risk o

. >>> director kathryn bigelow's movie "detroit" about the 1967 riots is getting talked about as a possible oscar winner. "dark tower" came in first, adaptation of stephen king's books been in production for seven years. "dark tower" picked up $19 million, dunkirk, the emoji mover and girls trip came in second, third, fourth. not a big weekend at the box office. night to get to see something. that's it for abc7 news at 6:00. we'll see you at 9:00 and 11:00. >> right now on "matter of fact ," gridlock in washington. congressional moderates say it >> we can make their lives better. >> they cannot ignore us. >> y 100 members say it is time to put the brakes on their own house parties. and, a housing crisis putting a >> we don't have a balanced >> w housing unaffordable for am ? plus, ruth bader ginsburg, the opera? the supreme

. >> no, i actually remember going up to kathryn bigelow, who is one of the greatest directors ever. >> seth: yeah. >> and she was like, yeah, just pull the hair down. it's kind of the style. and i was like, yeah, yeah, totally. and then kept trying sneak it back to the scene. >> seth: sure. >> i wanted to do a lot of like -- "you know, your honor." [ light laughter ] and she's like "no, no, no. it's not how they wore it." and i was like, "okay, i'll put it back." >> seth: yeah. it's so weird to think that there was just a time where everybody was totally fine with like just hair. >> yeah. >> seth: yeah, just like just resting there your whole day, a big old -- big old fat piece of hair. [ light laughter ] >> just a nation of like, skater kids being like, "hey i'm also a lawyer." [ light laughter ] you know. >> seth: and did you know -- so this is -- you mentioned oscar winner kathryn bigelow directed and -- >> i thought you were talking about me. i was like, oscar winner? let's not jump the gun. [ light laughter ] but i'm feeling pretty good. the hair will win. >> seth: the hair wil

. >>> director kathryn bigelow's movie "detroit" about the 1967 riots is getting talked about as a possible oscar winner. "dark tower" came in first, adaptation of stephen king's book that's been in production for seven years. "dark tower" picked up $19 million, dunkirk, the emoji mover and girls trip came in second, third, fourth. not a big weekend at the box office. night to get to see something. that's it for abc7 news at 6:00. we'll see you at 9:00 and 11:00. ♪ ♪ isaac hou has mastered gravity defying moves to amaze his audience. great show. here you go. now he's added a new routine. making depositing a check seem so effortless. easy to use chase technology, for whatever you're trying to master. isaac, are you ready? yeah. chase. so you can. ♪ >> hi, everyone. i'm lizzie bermudez. welcome to "bay area life." we're all about lifestyle, interests, food, and enteainment in the bay area and beyond. on today's show -- the perfect place to experience food, wine, and music. >> 17 miles from downtown san jose with a beautiful view of the whole valley from the bay to san jose to campbell.

the drama from oscar- winning director kathryn bigelow expands from limited release, with box office watchers estimating a 10-to-15 million-dollar weekend. "they got my son! help me!" another oscar winner, halle berry, stars in "kidnap," as a mother desperate to save her abducted son. the action- thriller, the first release from new distributor aviron pictures, is looking at a debut in the neighborhood of eight-million dollars. any way you go, there's action aplenty at the cineplex this weekend. in hollywood, i'm david daniel. (anny) an orphaned bobcat kitten is thriving after she was rescued last month. the kitten was found when she was just four weeks old on a hiking trail near sausalito. unable to find the mother's den-- park rangers handed the kitten over to a wild life rescue center in san rafael. medical staff say other then being dehydrated, the kitten was in good health when she arrived at the center. the bobcat kitten has since been transfered to an off-site location where she is being raised with two other orphaned bobcats. she will be released back into the wild when she i

and, as herfilm about civil unrest 50 years ago opens, oscar—winner kathryn bigelow tells us race relations in america have barely improved.

filmie: detroit is the new from kathryn bigelow. the film is set during the 1967 detroit riots in the killings of three unarmed black men at the algiers motel. "the l.a. times" caused excruciating and necessary. here is a look at the trailer. >> i assume this is about wh

charlie: "detroit" is the new film from kathryn bigelow. the film is set during the 1967 detroit riots in the killings of three unarmed black men at the algiers motel. "the l.a. times" calls it excruciating and necessary. here is a look at the trailer. >> i assume this is about what went on at the motel. >> what happened at the motel?

bigelow. it tells of the tragedy that happened at the algiers motel in 1967. [video clip] >> you know what happened at the motel? >> what happened at the motel? >> you don't know? i was working security and on tuesday night, we heard gunfire coming from the area of the algiers. police were there. there was a lot of shooting. when i went in there, three kids had been killed. >> no. >> they were killed right before you got there. >> you carry a .38, right? >> a revolver. >> you carried a revolver? >> i do have a .38. >> you ever shoot anyone? >> i didn't do it. >> ah, here we go. >> here in city of detroit. violence continues. state police and national guardsmen declaring a state of emergency. >> it is a war zone out there they are destroying the city. , >> police. >> i'm just going to assume you're all criminals. >> you don't talk to anyone about this understand? , ever, >> this city has rocked. but change is coming. >> i told you what i saw. i'm trying to help you. >> change is coming. >> what

. >> jimmy: yeah, and it was kathryn bigelow did this. directed this. who, "zero dark thirty" and "the hurt locker." >> yeah, yeah. >> jimmy: so it is, it's just, man. it's almost, at one point it is almost like a kidnapping. >> yeah. >> jimmy: it's just horrible. >> it is a tough watch. and it is just necessary right now. where, you know, we're having issues with race relations, we're having issues with social unrest. and it is a conversation that needs to be had. and i think this movie, you know, explores racism in a very complex way. >> jimmy: yeah, it's definitely, definitely important. and the music -- the band, the dramatics, are in it, who -- i know "dramatics", "whatcha see is whatcha get." >> yeah. >> jimmy: but the roots wrote a a song for this film. for this soundtrack. an original. [ cheers and applause ] an original song that will, it is just a beautiful, beautiful and done so well. it sounds like it's -- >> questlove: made in 1967. >> jimmy: it really does. it is fantastic. great job. >> thank you for that, by the way. thank you. >> jimmy:

when fernando castille dies it what kathryn bigelow has done is brought her female privileges, well, she's a white director. we demand that white people wrestle with and grapple with the problem of race themselves. don't believe it to black and brown people. what she has bravely and courageously done here is attacked this problem head on and looked at it with determination to say what happened here is wrong and evil and problematic and it must never happen, again. this film reminds us of the human toll that that particular tragedy sgle-- >> some of us still finding it right now and very glad she put it on the screens so people could see why. thank you. always honored to have you with us. >>> we'll be right back. ...it starts a chain reaction... ...that's heard throughout the connected business world. at&t network security helps protect business, from the largest financial markets to the smallest transactions, by sensing cyber-attacks in near real time and automatically deploying countermeasures. keeping the world of business connected and protected. that's the power of and. >>> once

we begin with a new film from director kathryn bigelow. it is called "detroit" and tells the story to have 1967 detroit riots at the algiers motel. >> the rider next -- the writerrer next to me whose work is extraordinary came to me with a story about the detroit uprising? 1967, a true story of a true cyme set in the middle of it in the algiers motel, and it was simply put an execution, and a portrait of police brutality and racial injustice that was extremely moving, very timely and topical. about the same time he told me the story, the decision not to

so when you mentioned somebody like a kathryn bigelow, the way that she tells the story of the algiers motel incident in the movie "detroit" is very unique to her. i don't think any other filmmaker would have approached the story quite the way she does in this film and you can say the same about patty jenkins. her vision for wonder woman was a product of her personal taste and predilections. in both cases they work well. "dunkirk" is another great example. we could go on and on. a good summer for directors. >> brown: "talking pictures, and how to watch movies." ann hornaday. thank you very much. >> thank you. >> sreenivasan: why is it that people have no qualms about confessing "i'm terrible at math," yet you rarely hear anyone saying "i'm awful at english?" eugenia cheng is the scientist in residence at the school of the art institute of chicago, and author, whose latest book is "beyond infinity." tonight, we hear her humble opinion on why math is in need of a make-over. "hi, i'd like you to meet a friend of mine-- he's really useful." wait-- that doesn't make him sound very interesti

the drama from oscar- winning director kathryn bigelow expands from limited release, with box office watchers estimating a 10-to-15 million-dollar weekend. "they got my son! help me!" another oscar winner, halle berry, stars in "kidnap," as a mother desperate to save her abducted son. the action- thriller, the first release from new distributor aviron pictures, is looking at a debut in the neighborhood of eight-million dollars. any way you go, there's action aplenty at the cineplex this weekend. in hollywood, i'm david daniel. ( mark ) coming up in the next hour... on the kron 4 morning news... we are following breaking news out of the south bay. nearly a dozen cars catch fire at an apartment complex over night. our crew just got to the scene we will have the details in a live report. and the search is on for a gunman who opened fire at a popular bay area park. will tran is live at the scene with the details.( james ) and i am tracking another hot day. i will have complete details coming up at the top of the hour. (lydia) we are following breaking news out of the south bay... over te

it was directed by kathryn bigelow. she won an oscar for "the hurt locker." talk about this script. it is heavy. >> i didn't know a lot about -- during the audition process, i didn't know about the film. kathryn kept us in the unknown. every day on the set was a new experience what was happening. when i found out about the history that was involved in this, and i never knew about the algiers motel. when i found that part out, i was game. i was all-in. >> what about you? and talk about the movie for people who don't know what happened. >> of course. so, set against the backdrop of the 1967 rebellion. and the algiers motel incident actually, unfortunately, resulted in three young african-american men losing their lives at the hands of the police. seven other people were kind of viciously brutalized including two women. so, you know it's an important story to tell, these people, when given social justice. we shed light on the story. and bring awareness to it. >> this is a historical piece. it took way before you were born. i was there, i was 1 year old. my birthday was a couple days ag