tv Sarahs Music - Pekka Kuusisto and the Reddress Project Deutsche Welle December 30, 2018 5:15am-5:31am CET
up to our. month long journey also to. tomorrow to do w. . story so that people of the world over information they provide the opinions they want to express g.w. on facebook and twitter and up to date and in touch. with. the main news on this mistake should not see feel once again to use our last. call to
take us out not to discount to boost side but of course. people have put big dreams on the big screen. movie magazine on d. w. ho. hi and welcome back to their is music today we're at the blue led sol in berlin i really like this whole because it has a fantastic acoustic and also the interior can be adapted to stupid needs of the music being played there today the whole the simply read. it was headed to the negative in that alongside a book that i love you do it is. all
of my guest today is truly multi musical he's a fantastic violinist and also a fantastic music communicator and i admire him a lot but i can't pronounce his name can you please tell the viewers how exactly to pronounce or when i can it is the stuff. whose is still ok today was not a horn challenge it was a name challenge welcome it's so great to hear thanks so much we have something really fantastic planned apparently the color has changed in an absolute a massive way presumably from an. afternoon in which if any. of us here. then this. one as you address this question to the listener is.
you adjust the size of the dress to fit the bullet sorry little bit yes smaller a little bit small and a little bit more oval heart's not rock that yeah exactly then but i love what you say is this it's it's the dress is not a dress it's a space and it invites look the first thing i come in here first thing i do is want to get in ok i think it's you don't need to use dropout like prey on that it's a black chin and the wrong thing you just mojang to that i mean get in there and they are and being together so what did you think this would be good for music i know my concert or my i mean i love this concert or this is extraordinary about why we are so like stiff ya but it's better and i listen my grandma and i are playing.
like on the her chair and like i came. out of the music i listen is not just this but the recent news or it's all about it and. we are doing together this ceremony. for the red dress project can work closely with the sound engineer team or court team with samples because music live during the concert and looped back into the performance.
i must say this is impressed me so much i really didn't imagine that it could be such a homely feeling in here and i don't mean holy is in holes but there's a real all i hopefully know in the direction of the new it's such a it's makes you feel so peaceful the stuff that's one of the things it can do i think it can also add to that and when you need to be agitated to do that with the music well i think it basically just accelerates whatever you want to communicate from it so when you're in the dress what do you become you decide on the night do you feel the audience energy the music that we're playing in this residence is happening for the first time some some there are some four chorus take elements that i've been playing for years and years but this exact sort of consolations of music we've never done before and the technical element of it with never done before so if if i can already in the first concert feel like you know i'm just. receiving and giving then i'm i'm happy whatever whatever the notes are that come
out whatever you would feel on a normal concert platform you feel it kind of ten times why is that because you're more alone because you know it's it's us and we have of course me put a lot of effort a lot of time into this happening do you have a plan of what you want to do or are you completely free when you get into the well for these concerts we've got two different clubs one of them is over more sort of. sort of folk think they're like very natural communications i'm speaking just kind of. that kind of thing the other one is more of a sort of longer are just more or more of an electronic aesthetic in the music so there's going to be a bit more sort of. room for an audience member to kind of access hopefully their own issues their own things during the music so more and more kind of gradual
influencing off of the minds of mindset of the listener do you find this is easier for you to do in music with classical pieces or with with your or folk music or you're improvising i think of the call so we come to to music that was created today that the easier it is that it gets i can't wait to hear the concert and to see you. charm these berliners into into this i mean to get into these pockets it's just incredible i can't wait it's such a lovely gesture isn't it is and you have to see it's to believe it really. comes. time for the concept. this is the usual way into the recovery in the back way because this is only for the song whereas.
bold i think you need a. little dusting but it seems you can get a model on the wiley only if you want to emotionally do you have a home. that's really seem. to. be present to you then. you would know that if you build people really commune with. the muscle and then maybe get them. into that. space but bankers. today's horn challenge is very broad like who says the who so i'm just supposed to
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