carol morley is a visionary film—maker. if you get it, it is just brilliant and i really advice to you give it a go. it is so great to see a film—maker with such am by, it was shot 23428 days, but every frame is filmed with clues and details and i, i thought it was great. it is called out of blue, not out of the blue. why is that? because, because, you have to see the film to understand why. it is out of blue. it is between separate universes because i could go on about it all night. looking forward to that one. at eternity‘s gate. which is another film about the life of vincent van gogh. of which there have been many, most recently we had that brilliant animation loving vincent, described as the first oil painted animated film, that was breathtaking, this is willem dafoe, oscar—nominated willem dafoe, as we discovered vincent van gogh towards the later period of his life. i went to the museum in amsterdam. i said vincent van gogh? so we get his real life and his tussles with madness and with incarceration but also ju

it is made by carol morley, who made the falling. it is a radical reinvention of martin amis‘s novel. carol morley said she set out to rescue the characters from the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astrophysicist she interviews people who are interested in parallel universes who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. it becomes far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger. then it kind of turns into this kaleidoscopic meditation on dual realities. i have seen the film now three times and every time i see more in it. there is this central tension between two characters, two colours, two realities, and it is one of those films that the more you look at it, the more you see. do you nee

so it's made by carol morley, who made the falling. it's based on a novel by martin amis but it's a radical reinvention of the novel. carol morley said that she set out to rescue the characters from the pages of the novel. the setup is there is a murder of an astrophysicist. it's being investigated by patricia clarkson‘s detective, mike hoolihan, and because it's an astrophysicist, she starts interviewing people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. and what begins as a murder mystery becomes something far more cosmic and far meore existential. and the film starts in outer space, and you know that powell and pressburger film, a matter of life and death, which i love — such a great movie — it begins with what looks like an homage to powell and pressburger. and then it kind of turns into this kaleidoscopic meditation upon dual realities. i've seen the film now three times and every time i see it, i see more in it.

it's made by carol morley, who made the falling. it is a radical reinvention, based on the novel by martin amis. carol morley said she set out to rescue the characters form the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astrophysicist, she interviews people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. and what begins as a murder mysters becomes something far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger, and then it kind of turns into this kaleidoscopic meditation upon dual realities. i've seen the film now three times and every time i see it, i see more in it. there's this central tension between two characters, between two colours, between two realities, and

it is made by carol morley, who made the falling. it is a radical reinvention of martin amis's novel. carol morley said she set out to rescue the characters form the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astro physicist, she interviews people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. what begins as a murder mystery becomes far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger. then it kind of turns into this kaleidoscopic meditation on dual realities. i have seen the film now three times, and every time i see it, i see more in it. there is this central tension between two characters, two colours, two realities, and it is one of those films that the more you