i said vincent van gogh? so we get his real life and his tussles with madness and with incarceration but also julian schnabel is attempting to show us the world he saw through his paintings visually represented. here is a clip. i'm telling you you have to look inside. you keep saying look inside, i get it, i do. you keep repeating yourself. what do you think i'm doing? i don't invent the picture. i don't need to invent the picture. ifind it already in nature. ijust have to free it. all right. i'm just saying first think about your surface and how the paint will sit on it. get control over what you're doing. maybe you should work inside more. i spent all my life alone in a room. i need to go out, and work, to forget myself. i want to be out of control. i need to be in a feverish state. it is called the act of painting for a reason. all right, calm down. i don't want to calm down. the faster i paint, the better i feel. i can't stay here vincent. what are you saying? so that line when he says it is called the ac

and at eternity‘s gate, which is another film about the life of vincent van gogh. of which there have been many. most recently we had that brilliant animation, loving vincent, which was described as the first oil painted animated film, which was absolutely breathtaking. so this is willem dafoe, oscar—nominated willem dafoe — as we discovered recently, pronounces name with dutch g van gogh, towards the later period of his life... is that how it... i went to the museum in amsterdam, i said to somebody van gogh or van gogh and they said neither, pronounces name with dutch g, van gogh? in the film, they mispronounce it. laughs so we get his real life and his tussles with madness and with incarceration but also julian schnabel is attempting to show us the world that he saw through his paintings visually represented. here's a clip. i'm telling you, you have to look inside. you keep saying look inside, i get it, i do. you keep repeating yourself. what do you think i'm doing? i don't invent the picture. i don't need to invent the picture. i find it already in nature. i

plus, how london and british landscapes moulded the life and art of vincent van gogh. hello. british mps are preparing to embark on a series of votes to explore other ways forward in the brexit process. some 16 options have been tabled and the process could last several days. some leading conservative brexit supporters have suggested they could now get behind theresa may's withdrawal agreement to prevent the risk of a long delay in the brexit process. here's our deputy political editor, john pienaar. parliament has shown its power. we know who is in control, and the answer is no—one. mps are getting ready to talk and vote their way through their ideas for brexit. but then what? brexiteer ministers especially insist mps taking control won't work. it's a negotiation between ourselves and the european union, and if parliament expresses a view, it may be entirely undeliverable. but the cabinet is split. there is amber rudd — she is backing mrs may's deal, but wants freedom for tories to vote as they choose. some junior ministers are saying privately they'll rebel and resign i

i said vincent van gogh? so we get his real life and his tussles with madness and with incarceration, but also julian schnabel is attempting to show us the world he saw through his paintings visually represented. here's a clip. i'm telling you, you have to look inside. you keep saying look inside, i get it, i do. you keep repeating yourself. what do you think i'm doing? i don't invent the picture. i don't need to invent the picture. i find it already in nature. ijust have to free it. all right. i'm just saying first think about your surface and how the paint will sit on it. get control over what you're doing. maybe you should work inside more. i spent all my life alone in a room. i need to go out and work, to forget myself. i want to be out of control. i need to be in a feverish state. it's called the act of painting for a reason. all right, calm down. i don't want to calm down. the faster i paint, the better i feel. i can't stay here, vincent. what are you saying? so that line when he says it's called the ac

and the paintings which inspired vincent van gogh to produce some his most famous works — now on show in a new exhibition. and coming up on sportsday later in the hour on bbc news: walking away from the octagon — conor mcgregor says he won't fight again, but he's retired before. good evening. theresa may has been consulting her cabinet after the house of commons seized control of this phase of the brexit process in last night's dramatic vote. mps will tomorrow be presented with a series of options on the way ahead, but ministers say they can't guarantee any outcome will be binding on the government. mps have twice said they don't want mrs may's deal but haven't yet said what they do want. this is an opportunity to do just that. they'll likely vote on around seven options for how to proceed. those may include closer links to the eu than what's proposed, a no—deal brexit, or cancelling brexit entirely. but as mps debate, time is running out to agree a deal with the eu before the exit date next month. our deputy political editor, jon pienaar, has more. parliament has shown its power,

vincent van gogh came to britain in 1873 — not to make art, but to sell it and see it. the 28—year—old art then dealer quickly developed an appreciation for british landscape painters, most notably john constable. he settled here at 87 hackford road in brixton, south east london. he'd leave home and walk to work in covent garden every day because he wanted to take in the sights and the sounds and the smells of britain. he'd often have some charles dickens in his pocket to read and always wore a top hat because, as he said, you couldn't be seen in london without one. van gogh took to london like a beard to a face. that is, it grew on him. in a west end gallery, he discovered james whistler's paintings, whose evening view of westminster bridge would inspire the dutchman when he eventually became an artist a few years later to produce one of his most famous works. he found something in british art which he recognised as different from the art of his own country. the way, particularly, british landscape could evoke a feeling in the viewer. that was something he always w

which is another film about the life of vincent van gogh. of which there have been many, most recently we had that brilliant animation loving vincent, described as the first oil painted animated film, which was breathtaking, this is willem dafoe, oscar—nominated willem dafoe, as we discovered vincent van gogh towards the later period of his life. i went to the museum in amsterdam, i said vincent van gogh? so we get his real life and his tussles with madness and with incarceration but also julian schnabel is attempting to show us the world he saw through his paintings visually represented. here is a clip. i'm telling you, you have to look inside. you keep saying look inside, i get it, i do. you keep repeating yourself. what do you think i'm doing? i don't invent the picture. i don't need to invent the picture. ifind it already in nature. ijust have to free it. all right. i'm just saying first think about your surface and how the paint will sit on it. get control over what you're doing. maybe you should work inside more. i spent all my life

at eternity‘s gate, which is another film about the life of vincent van gogh. of which there have been many. most recently, we had that brilliant animation loving vincent, described as the first oil painted animated film, which was breathtaking. so this is willem dafoe, oscar—nominated willem dafoe, as vincent van gogh towards the later period of his life. i went to the museum in amsterdam. i said "van gogh?" so we get his real life and his tussles with madness and with incarceration, but also julian schnabel is attempting to show us the world he saw through his paintings visually represented. here is a clip. i'm telling you, you have to look inside. you keep saying look inside. i get it, i do. you keep repeating yourself. what do you think i'm doing? i don't invent the picture. i don't need to invent the picture. i find it already in nature. ijust have to free it. all right. i'm just saying, first, think about your surface and how the paint will sit on it. get control over what you're doing. maybe you should work inside more. i spent all my life alone in a r